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Association of Research Institutes in Art History

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Smithsonian American Art Museum

Smithsonian American Art Museum (SAAM) Fellows Lectures: May 7, 8, and 9

Come hear the 2024–2025 SAAM Fellows present new scholarship on a range of topics and time periods, media, and messages. This multi-afternoon program will highlight a new generation of scholars who are engaging the Smithsonian's collections and archives in order to tell new stories about American art. View the full program and register to attend the talks, in person or online, at AmericanArt.si.edu/fellowslectures. Wednesday, May 7 Session I: 1–2:45 p.m. ET Moderated by Karen Lemmey, The Lucy S. Rhame Curator of Sculpture, Smithsonian American Art Museum Joseph Mizhakiiyaasige Zordan, Terra Foundation for American Art Predoctoral Fellow, Harvard University “The Wound of Memory: Domesticity, Memorialization, and Settler Identity in Early Eighteenth Century Massachusetts” Elizabeth Keto, Joe and Wanda Corn Predoctoral Fellow, Yale University “The Chattahoochee Brick Company and the Material Culture of Slavery's Afterlives” Michelle Donnelly, Helen Frankenthaler Foundation Predoctoral Fellow, Yale University “Grounds of Removal: Matsusaburo ‘George’ Hibi's Incarceration Camp Prints” Session II: 3:15–5 p.m. ET Moderated by Eleanor Jones Harvey, senior curator, Smithsonian American Art Museum Brandon O. Scott, Smithsonian Institution Predoctoral Fellow, Massachusetts Institute of Technology “‘And a Long Sand Road’: Longleaf Pine and the Landscape of Abundance” Marcelo Gabriel Yáñez, Smithsonian Institution Predoctoral Fellow (at the Archives of American Art), Stanford University   “The Disappearance of Landscape: Artists on Fire Island, 1937–1983”  Olivia Armandroff, George Gurney Predoctoral Fellow and Smithsonian Institution Predoctoral Fellow, University of Southern California “‘After Devastation, Something Positive Will Come’: Toshiko Takaezu's Lava Forest and Cyclical Processes of Regeneration” Thursday, May 8 Session III: 1–2:45 p.m. ET Moderated by Saisha Grayson, curator of time-based media, Smithsonian American Art Museum Margot Yale, Wyeth Foundation Predoctoral Fellow, University of Southern California “‘The Poetry of the Shipyards’: Emmy Lou Packard and Social Unity on the Wartime Shop Floor” Isaiah Bertagnolli, Douglass Foundation Predoctoral Fellow, University of Pittsburgh “The Artist’s Arsenal: How Barbara Donachy Made the Arms Race Tangible” Sarah Myers, Patricia and Phillip Frost Predoctoral Fellow, Stony Brook University “‘If There is No Dancing at the Revolution’: Carnival Knowledge and The Stakes of Feminist Art Activism in the 1980s” Session IV: 3:15–4:30 p.m. ET Moderated by Robin Veder, executive editor of American Art, Smithsonian American Art Museum Julia Hamer-Light, SAAM Predoctoral Fellow in American Craft, University of Delaware “‘Made To Be Given’: Generosity as Methodology in Arthur Amiotte’s Collaborations”  Rachel M. Tang, Betsy James Wyeth Predoctoral Fellow in Native American Art, Harvard University “Please, after you: Lessons in Reciprocity and Archival Practice from Shan Goshorn” Friday, May 9 Session V: 1–2:45 p.m. ET Moderated by Lindsay Harris, head of the Research and Scholars Center, Smithsonian American Art Museum Renée Brown, Smithsonian Institution Predoctoral Fellow (joint SAAM and the Archives of American Art), Boston University  “Compress and Classify: Paul Vanderbilt's Microphotographic-Inventory for the Pennsylvania Museum of Art, 1938" Maeve Hogan, SAAM Predoctoral Fellow in American Craft and Big Ten Academic Alliance Smithsonian Fellow, University of Wisconsin–Madison “Between Utility and Art: Recovering Fiber-Based Craft Histories of the 1950s and 1960s” Jeannette Martinez, Terra Foundation for American Art Predoctoral Fellow, University of New Mexico “Hidden in Plain Sight: The Central American Presence in American Archives” Session VI: 3:15–5 p.m. ET Moderated by Melissa Ho, curator of twentieth-century art, Smithsonian American Art Museum Megan Baker, Smithsonian Institution Predoctoral Fellow, University of Delaware “The Fragile Bonds of Empire: John Singleton Copley's Pastel Portraits and the Art of Alliance” Ashley Duffey, William H. Truettner Predoctoral Fellow and Big Ten Academic Alliance Smithsonian Fellow, University of Minnesota “Bureaucratic Labors: Adoption's Social Work Photographies” Emma Oslé, Terra Foundation for American Art Predoctoral Fellow and Big Ten Academic Alliance Smithsonian Fellow, Rutgers University “Cuadros de Familia: Regarding the Family in Latinx Art” Since 1970, the museum has provided 790 scholars with financial aid, unparalleled research resources and a world-class network of colleagues. For more information about SAAM’s fellowship program and how to apply, see AmericanArt.si.edu/research/fellowships.

March 6, 2025
Smithsonian American Art Museum

ARIAH Announces New Board of Directors

The Association of Research Institutes in Art History (ARIAH) is pleased to announce the appointment of its new Board of Directors. This distinguished group of scholars and administrators from leading institutions across North America will guide ARIAH in its mission to support the future of art history through partnership and collaboration. The newly appointed Board of Directors includes: - Amelia Goerlitz, Chair: Chair of Academic Programs at the Smithsonian American Art Museum - Deborah L. Krohn, Vice-Chair: Professor and Chair of Academic Programs at Bard Graduate Center - Jemma Field, Secretary: Associate Director of Research at the Yale Center for British Art - Nan Wolverton, Treasurer: Vice President for Academic and Public Programs at the American Antiquarian Society - Nancy Um, Board Member: Associate Director for Research and Knowledge Creation at the Getty Research Institute - Luis Vargas-Santiago, Board Member: Academic Secretary at the Instituto de Investigaciones Estéticas, Universidad Nacional Autónoma de México - Erica Wall, Board Member: Director of the Lunder Institute for American Art, Colby College Museum of Art With a focus on internal growth, the new Board will work to refine ARIAH’s mission and enhance its core initiatives. ARIAH is committed to strengthening and promoting the work of its member institutions through partnership, dialogue, grant making, and advocacy for scholars.

March 6, 2025
Smithsonian American Art Museum

ARIAH Roundtable on American Art at CAA 2025

Outgoing ARIAH chair, Caroline Fowler, organized a panel at the 2025 College Art Association annual conference to discuss how member institutions are currently supporting research on American art, craft, and visual culture. Amelia Goerlitz, ARIAH's incoming Chair, described the Smithsonian American Art Museum's (SAAM) efforts to expand research opportunities, including a partnership with the National Museum of the American Indian and the Wyeth Foundation for American Art to create a fellowship in Indigenous American art, a growing area in the field. Curator and Director of Research, Fellowships, and University Partnerships Mindy Besaw discussed the Crystal Bridges Museum of Art's groundbreaking exhibition, Knowing the West, which explores how people see the American West through art. The Lunder Institute's Director Erica Wall presented results from the Lunder Institute @ initiative, which invites institutions across the nation to examine American art, its history, its future, and its ongoing evolution. Anne Helmreich, Director of the Archives of American Art, and Lindsay Harris, head of SAAM's Research and Scholars Center, described their collaboration to convene scholars, artists, and thought partners to consider the key terms framing American art at the nation's 250th anniversary in 2026. In response to reduced funding and the continued desire for professional opportunities and networking to strengthen communities, panel participants and attendees shared creative solutions they are pursuing, such as institutional partnerships, conversations about best practices, and inter-generational, two-way mentorship, all of which ARIAH supports as part of its mission. We look forward to future conversations about art scholarship across the Americas at ARIAH's annual meeting hosted by the Instituto de Investigaciones Estéticas in Mexico City in November 2025!

March 6, 2025
Yale Center for British Art

Register for Landscape Symposium at YCBA

Register for "A Legacy of Landscape Study" at the Yale Center for British Art co-sponsored with Oak Spring Garden Foundation.The Yale Center for British Art (YCBA) and Oak Spring Garden Foundation (OSGF) share a legacy of landscape study rooted in the collections of Paul and Rachel Lambert “Bunny” Mellon. While the Mellons’ collecting practices differed, they both gathered significant materials in the history of British environments, horticulture, and landscapes. Notable examples include Paul Mellon’s paintings and prints by George Stubbs and J. M. W. Turner and Bunny Mellon’s garden treatises and Humphrey Repton Red Books. From these origins, the YCBA’s extensive collection of British art has encouraged generations of new scholarship on British landscape art, while OSGF has become a leading research institution for the global histories and futures of gardens, landscapes, and plants. Inspired by this legacy of collecting and scholarship, the YCBA and OSGF are hosting a symposium at Yale to bring together new interdisciplinary research on British landscape studies.By commingling the diversity of approaches to the histories and depictions of landscapes and environments represented by the two institutions, this symposium aims to generate new scholarly conversation about the intersections of British culture, ecology, and land.This symposium will be held at Hastings Hall, Yale School of Architecture, on December 5–6, 2024. For more information, please email sarah.leonard@yale.edu. ‍

October 28, 2024